Archive | April, 2010

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Zac Posen for Target

Posted on 19 April 2010 by anc

Next week, Zac Posen‘s new style- and wallet-friendly line hits Target stores nationwide. The limited-edition celeb-designer collection is part of Target’s GO International® program, designed to provide affordable fashion created by world-renowned designers. Available through May 30th, Posen’s offerings capture his characteristic streamlined feminine aesthetic at prices the rest of us can afford ($16.99-$199.00).

The Zac Posen for Target collection offers fresh takes on some of the iconic pieces that have sculpted the New York-based Zac Posen brand. With a focus on dresses and strong prints, it includes Target’s first designer full-length gown, a tuxedo suit, a red suede jacket and bold, metallic swimwear. Other highlights include: seek silhouettes modernized by neon lipstick graffiti, flirty floral prints, exposed zippers and large bows, 80′s inspired chiffon ruffles and pleats, retro-inspired swimwear, rock tees, knitwear and summer dresses.

Check out a sneak peek of the collection below (the top dress is a personal fave)!

*Images courtesy of Target.

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Walking Chair: You May

Posted on 19 April 2010 by anc

“This space is my space. This space is your space.”

Viennese design firm Walking Chair presents ” You May,” a super-functional, incredibly playful furniture series for the public space. Its multipurpose nature makes it a workable bar and bench, conference table and quiet corner all at the same time. It’s a lounge, a stage, a shelf, a workspace, and a private nook. You can eat on it, lay on it, play on it, meet and work on it, display on it.

Walking Chair’s design duo – Karl Emilio Pircher & Fidel Peugeot – created “You May” to provide urban planners and residents with a versatile instrument for enhancing the quality of the public space and filling it with a new, lively spirit. The first edition was finished during May 2009 for the Aarhus Festuge (Århus Festival Week) in Denmark and it was exhibitited at the Bauhaus Archive Museum of Design in Berlin in August 2009. This month, “You May” welcomes visitors to “Surprising Ingenuity – Austrian Design” (produced by Advantage Austria), an exhibit comprising 41 Austrian design creations. “You May” has been placed in the courtyard of Fabrica Bugatti at the Milanese Zona Tortona (which runs at the same time as the Salone Internazionale del Mobile).

YOU MAY be a public furniture
YOU MAY be a working space
YOU MAY be a public desk
YOU MAY be a relaxing spot
YOU MAY be a meeting point
YOU MAY be a city bench
YOU MAY be a knowledge space
YOU MAY be an outdoor bar
YOU MAY be a popular stage
YOU MAY be a beer garden table
YOU MAY be a landebahn (runaway)

YOU MAY be a missing link
YOU MAY be my new friend
YOU MAY be so beautiful
YOU MAY be my everything

*Images courtesy of Walking Chair.

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Andy Warhol: Supersized

Posted on 15 April 2010 by anc

A 20-foot tall “Andy Warhol Dessert Pinata” – created by Jennifer Rubell as part of an interactive dining experience for April 22nd’s Brooklyn Museum Gala – is on display now at the Museum’s Rubin Pavilion.

The iconic face is linked to the Museum’s upcoming June Warhol exhibit. “Andy Warhol: The Last Decade” is the first U.S. museum survey to examine Warhol’s late work, presenting nearly fifty works. During his final decade, Warhol revealed a renewed spirit of experimentation, and produced more works (in a considerable number of series and on a vastly larger scale) than at any other point in his forty-year career. It was a decade of major artistic development for him, during which a dramatic transformation of his style took place alongside the introduction of new techniques.

Warhol continued to expand upon his artistic and business ventures with commissioned portraits, print series, television productions, and fashion projects, but he also reengaged with painting. In the late 1970s, he developed a new interest in abstraction, first with his Oxidations and Shadows series and later with his Yarn, Rorschach, and Camouflage paintings. His return to the hand-painted image in the 1980s was inspired by collaborations with Jean-Michel Basquiat, Francesco Clemente, and Keith Haring. The exhibition concludes with Warhol’s variations on Leonardo da Vinci’s The Last Supper, one of the largest series of his career. Together, these works provide an important framework for understanding Warhol’s late career by looking at how he simultaneously incorporated the screened image and pursued a reinvention of painting.

Andy Warhol: The Last Decade
June 18th–September 12, 2010

Brooklyn Museum
200 Eastern Parkway
Brooklyn, New York 11238-6052
(718) 638-5000

*Images courtesy of Brooklyn Museum. Photographs by Adam Husted.

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TWISTED

Posted on 15 April 2010 by anc

Every piece of furniture designer Philip Michael Wolfson‘s TWISTED collection appears in constant motion. Complex shapes, seductive shadows and reflections result in an overall sense of ongoing transformation. TWISTED is made completely of HI-MACS ®Natural Acrylic Stone.

This week, Wolfson (together with LG Hausys) presents the futuristic TWISTED collection at Milan’s Hotel Nhow at Zona Tortona 2010. The show runs through April 19th at:

Nhow Hotel
Shangay Meeting Room
Via Tortona 35
20144 Milan


*above: Split Chair HIGH


*above: Split Chair LOW


*above: Twisted (desk)


*above: Eruption coffee table


*above: Why Not (mirror)

*Images courtesy of Susan Grant Lewin Associates

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Urban Interventions

Posted on 14 April 2010 by anc

Documenting the evolution of public art, Gestalten‘s Urban Interventions reveals the newest movement beyond graffiti and street art. An interplay in public spaces combining art, architecture, performance, installation, and activism, and using any and all of the components of urban and rural landscapes, the projects captured here bring art to the masses.

Turning the street into a gallery, traffic signs are manipulated, industrial garbage cans wallpapered, and bold statements – critical commentary, suggestions, provocations, etc. – shared loud and clear on a variety of structures. The results are experiences, opportunities to interact with our environments in new, playful and sometimes curious ways.

Urban Interventions
Personal Projects in Public Spaces

Editors: R. Klanten, M. Hübner
Pages: 256
Format: 24 x 30 cm, full color, hardcover
Price: € 44,00 / CHF 72,90 / $ 69,00 / £ 40,00

Available for order now thru Gestalten.

*Images courtesy of Gestalten.
© Gestalten 2010

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Sculpted Jewels: Philippe Audibert’s 2010 Fall Collection

Posted on 14 April 2010 by anc

For the past twenty years, French designer Philippe Audibert has created stunning jewelry pieces, finding inspiration at home in the Parisian neighborhood of Saint Germain des Prés. And his Fall 2010 collection is no exception – gemstones are cut in bold geometric shapes and mixed in contrasting tones for super-drama. Featuring stackable bracelets, rings and more, the new line combines art deco style, potent architectural vibes and modern, clean lines.

According to Audibert, “”My designs are inspired by everything I see around me. I’m inspired by the beauty of the individual gems themselves. I enjoy the creative part the most. I absolutely love to design, and I also enjoy listening to my customer’s suggestions, incorporating hints of their ingenuity as well.”

Trained as an artist and sculptor, Audibert studied for eight years at the famed Academie des Beaux Arts before creating his first line of jewelry, hats, handbags, eyeglasses and decorative objects. Since then, he’s collaborated with several top design houses and created exclusive runway collections for the likes of LAGERFELD GALLERY, PACO RABANNE, CACHAREL and AGNES B. And his jewelry pieces – cuffs, sleeves, earrings, necklaces, rings and more – have graced numerous fashion mag covers and celebrity standouts. In 1999, he established a partnership with Swarovski, and now owns exclusive rights to several shapes of multifaceted crystals, including those presently incorporated in his Fall 2010 designs.

What do we love most? The drama of Audibert’s longer bracelets and the mix and match nature of the entire line. These are statement pieces to be sure. Check out some highlights below…


*above 3 photos: Audibert’s stackable fall 2010 bracelets


*above: Audibert fall 2010 rings

*All images courtesy of Philippe Audibert.

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“flawless/imperfection” by Rolf Sachs

Posted on 13 April 2010 by anc

Opening tomorrow at Studio Visconti as part of Milan’s Salone design furniture festival, “flawless/imperfection” presents designer Rolf Sachs‘ newest prototypes and limited-edition furniture and lighting lines. Inspired by his fascination with the inherent ‘imperfections’ of everyday life, and wary of the often faultless, glossy designs of the past decade, Sachs’ conceptual approach celebrates and exposes the imperfections rather than attempting to conceal them: a Kevlar chair is left untrimmed, resin pieces have air bubbles and blemishes, and upholstered furniture is marked and stained revealing a joyful, lived-in domestic feel. And the lighting, well – see the stunning results below for yourself.

According to Sachs,”‘flawless/imperfection’ has been inspired by my curiosity of the imperfections in humans and daily life. We try to distance ourselves from the typically ‘flawless’ design attributes of the past decade and aim to create designs that demonstrate conceptual rather than decorative ideas. I also try to bring an underlying sense of humour, surprise and nostalgia to my work, trying to change people’s perceptions.’

“flawless/imperfection” runs through this Sunday.


*above: ‘ginger & fred’ 2010, Pair of armchairs. Studio piece. Pine wood, hessian, cotton, metal springs, natural fibres & wadding, fabric paint


*above: ‘dirty thoughts’ 2009. Armchair. Carbon fibre, Kevlar, bonding resin, paints


*above: ‘chemie no.2’ 2010. Table or pendant light. Prototype for edition. Amberised borosilicate glass, cork, flex, electrics


*above: ‘rubecula’ 2010. Table light. Studio series of 17. H40cm x W26.5cm x D26.5cm. Mirrored glass dome, felt, natural twig, stuffed Robin bird, electrics, flex, walnut dimmer


*above: ‘hand me a light’ 2010. Table light. Studio series of 17. H50cm x W42cm x D42cm. Mirrored glass dome, felt, wooden hand, electrics & flex


*above: ‘light house’ 2010. Floor lamp. Prototype. H150cm x W60cm x D30cm. Wooden stand, mirrored glass dome, straps, flex, electrics

*Images courtesy of LUCHFORD APM.

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UP IN THE AIR: Big Bambú – Doug + Mike Starn on the Roof

Posted on 12 April 2010 by anc

Opening later this month, The Metropolitan Museum of Art presents Big Bambú, a monumental bamboo structure by American identical twin artists Mike and Doug Starn (born 1961). The site-specific installation on the museum’s Roof Garden opens to the public on April 27, and will ultimately measure 100 feet long by 50 feet wide by 50 feet high in the form of a cresting wave, bridging the worlds of sculpture, architecture, and performance.

Big Bambú’s construction will incorporate the efforts of the artists and a team of rockclimbers, and visitors are encouraged to witness it as an evolving, organic project throughout the spring, summer and fall. A continually growing, changing sculpture, it will comprise thousands of fresh-cut bamboo poles—a complex network of 5,000 interlocking 30- and 40-foot-long bamboo poles, which will be lashed together with 50 miles of nylon rope.

The initial, roughly 30-foot high by 50-foot-wide by 100-foot-long structure will be completed by opening day on April 27; next, the eastern portion of the sculpture will be built up by the artists and rock climbers to an elevation of some 50 feet; and by summer, the western portion of the sculpture will be elevated by the artists and rock climbers to around 40 feet in height. An internal footpath artery system grows within the structure, facilitating the progress of the organism. The ephemeral state of the work will be documented by the artists in various scale photographs and video.

According to the Museum’s Gary Tinterow, “Although the Starn brothers are best known for their photographs, in fact their abiding interest is in organic systems and structures, as seen in their photographs of trees, leaves, and snow flakes, or here, in Big Bambú. We are intrigued by the possibilities of this ever-evolving structure on our Roof Garden, which, when animated by the team of rock climbers, will become an organic system of its own.”

And artist Mike Starn notes, “It is a temporary structure in a sense, but it is a sculpture—not a static sculpture, it’s an organism that we are just a part of—helping it to move along,” said Mike Starn. “We will be constructing a slice of seascape, like our photographs, a cutaway view of a wave constantly in motion—our growth and change remains invariable, it is constant and unchanged.”

And, he explains, “The reason we had to make it so big is to make all of us feel small—or at least to awaken us to the fact that individually we are not so big. Once we’re aware of our true stature we can feel a part of something much more vast than we could ever have dreamed of before.”

Big Bambú opens to the public April 27. It runs April 27– October 31, 2010 (weather permitting).

The Metropolitan Museum of Art
1000 5th Avenue, New York
www.metmuseum.org

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Johnny Swing: MoneyMaker

Posted on 02 April 2010 by anc

A self-proclaimed “junk rat,” American designer Johnny Swing repurposes common materials (coins, bills, jars, leather swatches), to create new, nearly recognizable forms (couches, lighting, etc.) – each with a definitive, often ironic twist.

Swing’s coin furniture series, for example, translates coinage into seating: the Nickel Couch consisting of 7000 nickels, the Half Dollar/Butterfly Chair 1500 half dollars, and so on. His Jar Chair is made of 96 baby food jars and 400 pieces of hardware to stand at 14.5″W x 25.5″D x 40.5″H. The Leather Disk Furniture utilizes remnants of Italian leather floor tiles, and the technology developed through the jar chair research.

With his lighting and sculptural work, Swing uses materials associated with industry to create organic and playful pieces (some reminiscent of landmarks like the Eiffel Tower, or even, on the other extreme, twisted ivy). For the self-standing Lightwings collection, Swing uses satellite dishes as reflectors and lampholders.


*above, the Nickel Couch


*above, the Butterfly Chair


*above, the Jar Chair


*above, stool


*above, “Pig”


*above, Lightwing


*above, Lightwing


*above, sculptural detail

To learn more about Johnny Swing, visit JohnnySwing.com.
All images courtesy of the artist.

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